MIFF Congeniality

Just a quick reminder to all of you in Melbourne that I’ll be appearing at two free events at the Melbourne International Film Festival tomorrow!

From 5:30pm to 6:15pm, myself and The Bazura Project’s Shannon Marinko will be hosting A Nervous Kind of Laughter, talking about the great edgy American comedies of the 1970s: films by Woody Allen, Hal Ashby, Mike Nichols and more. Appearing on the panel with us will be Adam Zwar (Wilfred, Lowdown), Judith Lucy (The Late Show, Judith Lucy’s Spiritual Journey) and MIFF special guest Bobcat Goldthwaite, director of Shakes the Clown, Windy City Heat, Sleeping Dogs Lie, World’s Greatest Dad and God Bless America.

Come down to the Festival Lounge at the Forum Theatre and listen to us wax lyrical about one of the greatest periods of cinematic comedy.

Then you’ve got forty-five minutes to get something to eat and then come back for the MIFF Comedy Night. From 7pm, I’ll be MCing a night of film-themed stand-up comedy featuring Danny McGinlay, Alasdair Tremblay-Birchall, Matt Kenneally, Geraldine Quinn, Harley Breen and Bobcat Goldthwaite.

This is the sort of night that’s perfect for everyone. If you’re a MIFF addict, you probably need a night off from the screen-staring. But if the sessions have proven too pricey for you, then hey, these are free. Sorted!

Wednesday 15 August 2012 at the Forum Theatre, 154 Flinders Street.

5:30pm: A Nervous Kind of Laughter

7pm: MIFF Comedy Night

Quick Update

I try not to avoid doing it, but I occasionally complain on social media about the sheer amount of work I’m doing from day to day. So when people ask when they’re going to see the fruits of these labours, I have to beat them to a bloody pulp for their insolence, then – after a bloody shoot-out with police – go on the lam with a different passport, some quicky cosmetic surgery, and a sassy, gun-toting sidekick.

So, to save time, I thought I’d do a brief update on some of the things that have begun to see the light of day, presented in an unnecessarily exciting tone:

me on this month’s Hell Is For Hyphenates podcast, talking about the films of July (The Dark Knight Rises, The Amazing Spider-man, Not Suitable For Children), the career of Sarah Watt, and the films of Todd Haynes. Our guest this month was John Richards, he of the TV show Outland and the TV-themed podcast Boxcutters, both of which rank among my list of favourite things. Somewhat coincidentally, the same day we recorded Hyphenates, I guested on the most recent Boxcutters, debating Aaron Sorkin’s The Newsroom. It’s a brilliant podcast (despite my contribution) and anyone who’s been following the show and feels passionately either for or against it should really have a listen.

my new column in Encore Magazine, in which I get nostalgic about classic Australian film and TV. I kick off with a look back at The Games, the brilliant Olympics-skewering show by John Clarke and Ross Stevenson. I also have a piece in the forthcoming Big Issue, looking at how recent films have handled the tricky topic of bullying. It’s possibly more entertaining than I just made it sound.

me at the Melbourne International Film Festival on Wednesday 15 August, talking about the wave of American comedies of the 1970s, alongside Bobcat Goldthwaite, Judith Lucy, Adam Zwar and my Bazura Project co-host Shannon Marinko. That’s in the Forum Lounge from 5:30pm to 6:15pm, and it’s a free event, so you have no excuse not to attend. But you should stick around for the MIFF Comedy Night (also free!) from 7pm to 9pm, also in the Forum Lounge. I’ll be MCing, and guests will include Bobcat Goldthwaite, Matt Kenneally, Danny McGinlay, Geraldine Quinn, Harley Breen, and more! They’ll all be telling their best film tales, and you should definitely attend.

That’s all for now. More to come soon. Thanks for your indulgence.

Electric Bloodaloo

This morning, I cut myself shaving.

Before you delete this website from your bookmarks (or, dare I say it, your default homepage) for lapsing into the sort of mundane diarising that blogs are so often mocked for, I should clarify: I was using an electric razor. This is true. An electric razor. Slight cut. Actual blood.

Why mention it? Because it’s confirmed that one of the all-time greatest moments from Australian television history is actually based in truth. And it’s an excuse to post the clip for anyone unlucky enough to have never seen it.

Travelling Light 3: Travelling Flat White

A few years ago, I decided to stop patronising (traditional) the Australian coffee chain Gloria Jean’s and start patronising (modern) them. This wasn’t because I felt their coffee was sub-standard – although, I did and it was – but because it was revealed that much the money made by Gloria Jean’s went to Mercy Ministries, a Christian pro-life charity, to the homophobic Australian Christian Lobby group, and to the pro-Creationism, anti-gay Hillsong Church, described by a former member as ‘toxic Christianity’.

So, naturally, I stopped going, despite so many of their shops being conveniently located inside Borders. Oh, you don’t remember Borders? Borders was a book chain noted more for its ubiquity than its atmosphere, but we all went to it anyway because it had put every other book store out of business. (That’s a bit of chicken-and-egg logic there, but we shan’t dwell.) Borders went out of business almost immediately after I boycotted Gloria Jean’s, and it’s very, very safe to assume that the two events are connected.

During the Borders going-out-of-business sale, the price tag on this chair helped illustrate exactly why they were going out of business.

But earlier today, I found myself reluctantly entering a Gloria Jean’s. There were, of course, mitigating circumstances: I was an hour early for a media screening, I’d not yet had a coffee, and I would not have another opportunity to have one until about 1pm. I’m one of those people who cannot function without a dose of caffeine, and who smugly informs everyone of this despite the fact that telling people about your coffee-drinking habits is a great way of informing them that you have nothing interesting to contribute to the conversation, or, possibly, humanity.

Gloria Jean’s was the only café open in any sort of reasonable radius, so I quietly slipped in, ordered a coffee, and worked on my laptop for an hour.

At about 10:15am, I wandered into the Hoyts next door to get in early for the film. The staff looked at me blankly; they’d not heard of any screening, so they directed me to the Cinema Paris – Hoyts’s arthouse cinema – around the corner. The staff there had not heard of the screening either, and we somehow reached the conclusion that the screening must be inside Fox Studios next door.

To clarify: I am new to Sydney. I’ve never been to the big Fox Studios lot, so I had no idea where to go. Also, it was pouring with rain. So as I ran from building to building, knocking on doors and trying to find my way around, I managed to get completely and thoroughly soaked to the bone.

A few security guards seemed to know which screening I was going to, whilst others had no idea where I could possibly be trying to get to. My old Ain’t It Cool News spy instincts kicked in, and I started looking around to see if I could spot Hugh Jackman filming The Wolverine, but to no avail. (I would later discover that I was beaten to it at the exact same moment by Prime Minister and future AICN-Downunder editor Julia Gillard.)

By now, I was aptly resembling that X-Men villain who is wet all the time (thanks for nothing, Google), and it was 10:40am and I’d missed the start of the film. Grumpily, I squelched out of the Fox Studios lot, hailed a cab, and headed in to the office.

Only during the cab ride did I realise that this whole situation seemed eerily familiar. A failed trip whose only real success had been the acquisition of a coffee from a place I have an intense dislike for? Oh god, I thought. I’ve done it again.

But unlike McDonald’s mediocre coffee, this trip had resulted in mediocre coffee and the funnelling of money to professional homophobes. So, to counter the $4.20 I paid for that medium flat white, I have now donated twice that amount to Australian Marriage Equality, a group working towards gay marriage in Australia. Initially, I was going to create a matching donation of $4.20 to make it a wash, but that seemed too passive. And that’s not the type of equality I wanted to support.

It’s not all bad. I’ll have another chance to see the film in a few weeks, I’m back in the office with a plunger and a deliberately-inaccurate idea of how many coffee grounds should used for one standard drink, and a pro-gay marriage group has ended the day with more of my money than an anti-gay marriage group. And I’ve written another blog about it.

I’m calling that a win.